Reading the Paintings—Watching the Poems: Toward the Post-Media Inquiry With Networked City Textualities

Polina Golovátina-Mora

Resultado de la investigación: Contribución a una revistaArtículorevisión exhaustiva

Resumen

The article explores rhizomatic poetic practices of Medellín-based graffiti artist Señor Ok. His work is the city revealed as a relational, multidimensional texture. It transforms striated urban space to smooth by bringing other meanings from the periphery to the surface and decentralizing the dominant image of the city. I look at his work as poetry as an entanglement of his relationship and his daily life in the city, in the country, in the broader world. I argue that as an assemblage that forms assemblages within the urban textures, his art becomes methodology for critical non-representational affective inquiry of urban spaces.

Idioma originalInglés
PublicaciónCultural Studies - Critical Methodologies
DOI
EstadoAceptada/en prensa - 2022
Publicado de forma externa

Nota bibliográfica

Publisher Copyright:
© 2022 SAGE Publications.

Huella

Profundice en los temas de investigación de 'Reading the Paintings—Watching the Poems: Toward the Post-Media Inquiry With Networked City Textualities'. En conjunto forman una huella única.

Citar esto